Sunday, December 30, 2012

DIGITAL


DIGITAL



who has digitized me
has reduced me to
a bar code, 
a string of numbers
telling of my physical location--the street
number, the apartment number,
the suite number
zip plus four:
come find me.
come touch me if you dare.
come speak to me
Area code (XXX)  has changed, again,
changed again.
the physical location, too, has changed
without the burden of ownership.
wherever i travel, I am trailed by nine digits
that prove my eligibility for so many things:
citizenship, of course,
right to work,
right to be taxed,
right to be traced--endlessly
pursued by marketers 
intent on convincing me
that I need what they have to sell.
with sixteen digits embossed in plastic,
rewritten in magnetic patterns,
i purchase my daily bread, 
my freedom to travel,
my daily clutter that
consumes so much energy,
time and talents.

Copyright (c) 2012 by the author

ONCE




Once the raindrop loses
Its grip on the hovering cloud,
Once the river begins to flow,
Not the tree stumps,
Not the stones,
Not the build up of silt,
Will keep it contained.
As inevitable as
The rise and set of
The son,
The tectonic movement
Of plates,
The birth and
Demise of  fires,
The coming and going
Of waves
On a beach,
The victories and
The losses of nations
At war: words
And deeds are no barrier
Between us.

ANGELS LEAVING



(For Newtown Connecticut)


angels leaving,
assignment complete,
drain the skies of blue,
the trees of green
just a little 
as their wings fill--
they lift off.
what assignment,
over whom did they 
keep their vigil?
Lightweighted silence,
the only evidence
of their presence. 
by the power of their love,
they lift the leaden sorrow,
the molten anger,
words said and 
those omitted.
New names
with dates of departure
and arrival
freshly scrawled
in ledgers
for divine bookkeeping
purposes.--the book of life
must be maintained

Copyright (c) 2012 by the author

PRACTICAL IMPERFECTION


PRACTICAL PERFECTION



Practical perfection
< Reality
> Than the possibility.
There are always chinks,
Pieces missing from the human puzzle,
Scuff marks placed upon us by life's sharp edges.
Some imperfection is hard-wired
So that we learn--or know by instinct--
To find the pieces to complete the whole
In others.
Not tall enough,
Not strong enough,
Pretty enough,
Smart enough,
Not fast enough,
Patient enough,
Loud enough,
Or
Soft enough  to 
Command attention.
Lord, let me trust
In the necessity
Of being created incomplete.

copyright (c) 2012 by the author

STONES


Stones have stories,
Never told,
Stories on top of stories
Make a wall;
held together by mortar/
by skill,
by gravity---
or by fear.
Stones flying through air
Know, but will never tell,
From whose hand they were launched
Into the world--
Across a stream,
Over a cliff,
through a window,
Or skipped over water:
One, two, three, four splashes
marking progress across a pond.
stones mark miles come, 
or left to go,
Paths to follow,
Signals of safety
Or of danger,
For those who follow trailblazers.
Turn here.
Stop here.
Stones in lines mark boundaries
Some might agree upon.  
Stones
in circles show where we 
Shall gather.
Stay in.
Stay out.
We leave messages
Without verbs or nouns,
Without a sound.
many colors,
many different values--
words of love,
heft of hate
The final stones mark
Where journey's end--
The terminus from which
There is no return trip.


Copyright (c) 2012 by the author
Here lies:

Thursday, November 1, 2012

invasion





Under the influence of
another boy,
(could I really think myself
truly innocent?)
 I reached under
the doormat for the key
we both knew was there.
thinking no one is watching,
believing ourselves to be
invisible, we moved inside
without concern for the trespass;
we were invincible.
we weren't doing anything wrong
in our own minds.
into the kitchen, we greeted the parakeet
before seeking out the cookie jar.
will we find homemade chocolate chip
or store-bought Oreos--
or cash hidden in
plain sight?
we picked up stray items, examined
someone else's belongings.  
what if someone else did this to us,
entered our parents' house, 
touched our things, 
inspecting for value not always
monetary.  
we had minutes.
we had hours, if we wanted them,
to intrude into the lives
of neighbors who called us friends.
what secrets were kept--and where--
and why.
three bedrooms:
parents, boys'.
we pick up,
examine, cherish, imagine,
bicycle helmet and baseball glove,
soccer ball, (the same
one we've used in neighborhood pickup games--
then replace evidence
of life outside our knowledge.
One girl resides here, but we
are too young to be interested
in anything about her.
at some point, without words,
we retreat just as carelessly,
oblivious to the clues we left behind,
out to the driveway 
by the side door;
two would-be juveniles
leave the scene of the crime
except where it remains
in the back of our minds.

copyright (c) 2012 by the author

TRANSCRIBER OF DREAMS




One word
Uttered on high
And I, a seed,
Exist:
Amoeba or
Zebra.
The power of 
Creation lies
Beyond me,
And I, unaware,
Take up space
Set aside just for my body,
My spirit, my
Mind.
From the mind,
Through intervention, comes
This parade,
Idea 
After idea.
Unlike my own origination,
The invention of me,
The thought of me,
The sounds and visions
That fall from my lips,
Stream out of my fingers,
Are only the result of
Being the transcriber
Of dreams,
The artist struggling
To find just the right palate,
Just the right weight of words
Before I can place them
Gently, lovingly upon
The page.


Copyright (c) 2012 by the author